Download Origami Ooh La La! Action Origami for Performance and Play by Jeremy Shafer PDF

April 6, 2017 | Crafts | By admin | 0 Comments

By Jeremy Shafer

In Origami Ooh l. a. los angeles! Jeremy Shafer takes origami into the area of functionality paintings. packed with transparent step by step directions for a way to fold every one version and smart workouts for appearing them in entrance of audiences, this ebook goals to actually flow origami directly to a brand new degree!

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Origami Ooh La La! Action Origami for Performance and Play

In Origami Ooh l. a. los angeles! Jeremy Shafer takes origami into the area of functionality paintings. full of transparent step by step directions for a way to fold every one version and smart exercises for appearing them in entrance of audiences, this e-book goals to actually flow origami directly to a brand new degree!

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Extra info for Origami Ooh La La! Action Origami for Performance and Play

Sample text

When the depth of the opening is great enough to require filling in, it is well to use a soft 48 DESIGNING AND PLANNING CLOTHES fabric, such as Georgette or batiste, in a neutral ecru or flesh shade. Fig. 37 (c). The neck-line suggestion illustrated here may be The points of the collar are applied to either a coat or a frock. high and are placed toward the back rather than in front of the shoulders, causing the face to appear less full. The narrowness of the collar causes a lengthening effect, too, tending to lead the eye of the observer up and down.

Certain figures deviate from the average, whose hip measurement inches greater than her bust, usually bust of the same measurement as the hips or even by having the case, every effort greater, as shown in Fig. 39. When this 50 DESIGNING AND PLANNING CLOTHES should be made to slenderize the figure where it is largest, to draw the interest elsewhere, and to create a balanced appearance. The proper use of lines and light and dark areas and the employment of special features are means of achieving these effects.

Study every detail of each one as it is explained so that you will understand the reason for its use. Fig. 25 (a). A slender silhouette, be coming to either a young or an older woman, is shown here. The waist line, which is given at an average height, may be raised to suggest youth or lowered if it is more becoming. The outline is made interesting by the outward curving lines near the hem, which may be inter preted by narrow ruffles or circular or ' plaited tiers. All such trimming must be small and dainty and in relative pro portion to the dress as a whole.

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