By Victor Brombert
“All paintings and the affection of art,” Victor Brombert writes at the start of the deeply own Musings on Mortality, “allow us to negate our nothingness.” As a tender guy getting back from international conflict II, Brombert got here to appreciate this fact as he immersed himself in literature. loss of life are available all over the place in literature, he observed, yet literature itself is at the aspect of lifestyles. With delicacy and penetrating perception, Brombert strains the topic of mortality within the paintings of a gaggle of authors who wrote prior to now century and a part, teasing out and evaluating their perspectives of loss of life as they emerged from greatly diversified cultural contexts.
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Extra resources for Musings on Mortality: From Tolstoy to Primo Levi
Authority undermines its own competence, retreating behind an enigmatic, mocking, if not hostile, laughter. This suggests a fourth and arguably more problematic theological reading of the parable. The hurrying voyager fears he has lost his “way” to the station. But here the original German proves to be untranslatable. For policeman is Schutzmann— literally meaning “protector,” from the verb schützen. ) But in Kafka’s text the Schutzmann neither protects nor saves. And there is no salvation without help from up above.
As he stares at the Polish boy with the honey-colored curls, he convinces himself that the face and body he sees are not really those of a human creature with human flesh but the features of Eros, the god of love. The color of the boy’s skin makes him think of marble, just as the symmetry of his chest and the smoothness of his armpits appear to the entranced beholder as those of a statue. The imaginary transmutation of the handsome juvenile into a work of art helps Aschenbach believe, at least for a while, that his fascination is purely aesthetic.
12 9 • 3 6 Chapter 3. Ivan Ilych believes that he has reached the height of success. He has been appointed to a rank two steps ahead of his former colleagues and is now receiving a salary of five thousand rubles. ”13 This sense of happiness is illusory and short-lived. In the process of showing his upholsterer how he wants the hangings of the drawing-room curtain draped, he slips from a ladder and hits his side hard against the knob of the window frame. He will not recover from the injury. The clock is ticking inexorably.