Download Music Similarity and Retrieval: An Introduction to Audio- by Peter Knees, Markus Schedl PDF

April 4, 2017 | Storage Retrieval | By admin | 0 Comments

By Peter Knees, Markus Schedl

This booklet presents a precis of the manifold audio- and web-based techniques to track details retrieval (MIR) examine. unlike different books dealing exclusively with tune sign processing, it addresses extra cultural and listener-centric points and therefore offers a extra holistic view. hence, the textual content comprises equipment working on good points extracted without delay from the audio sign, in addition to equipment working on positive factors extracted from contextual details, both the cultural context of tune as represented on the net or the consumer and utilization context of music.

Following the standard document-centered paradigm of data retrieval, the e-book addresses versions of track similarity that extract computational positive aspects to explain an entity that represents song on any point (e.g., track, album, or artist), and strategies to calculate the similarity among them. whereas this attitude and the representations mentioned can't describe all musical dimensions, they permit us to successfully locate tune of comparable characteristics via supplying summary summarizations of musical artifacts from diverse modalities.

The textual content to hand offers a complete and obtainable advent to the themes of song seek, retrieval, and advice from an educational point of view. it's going to not just enable these new to the sector to fast entry MIR from a knowledge retrieval perspective but in addition increase expertise for the advancements of the tune area in the larger IR neighborhood. during this regard, half I offers with content-based MIR, particularly the extraction of beneficial properties from the song sign and similarity calculation for content-based retrieval. half II for that reason addresses MIR equipment that utilize the digitally obtainable cultural context of tune. half III addresses equipment of collaborative filtering and user-aware and multi-modal retrieval, whereas half IV explores present and destiny purposes of tune retrieval and recommendation.>

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Additional resources for Music Similarity and Retrieval: An Introduction to Audio- and Web-based Strategies

Example text

After discussing methods for data acquisition, Chap. 6 is concerned with the estimation of similarity and the indexing of musical entities for music retrieval from these sources. Part III covers methods of user-aware and multimodal retrieval. Chapter 7 focuses on data stemming from music listening and the context of this activity. 5 Evaluation of Music Similarity Algorithms 19 context awareness. Chapter 8 covers corresponding collaborative similarity and recommendation techniques, adaptive similarity measures, and aspects of diversity and serendipity.

Thus, we assume artists and tracks from the same genre to be most relevant when retrieving similar items. 3. Note that for the genre classical, instead of the performing artist, we refer to the composer of the piece. For more background information on the individual pieces, we refer the reader to Appendix A. In order to show the effects of the similarity measures defined throughout the book, we visualize the obtained similarity values for the complete toy music data set in a 20 20 confusion matrix, where similarity values are normalized and mapped 24 However, previews of the pieces are available for free through major online music stores.

Additionally, the chosen track by Maroon 5 also features the voice of Christina Aguilera. Despite these variations, artists and tracks within the same genre are considered more similar to each other than to artists and tracks from other genres. Thus, we assume artists and tracks from the same genre to be most relevant when retrieving similar items. 3. Note that for the genre classical, instead of the performing artist, we refer to the composer of the piece. For more background information on the individual pieces, we refer the reader to Appendix A.

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