By Mike Kelley
What John C. Welchman calls the "blazing community of centred conflations" from which Mike Kelley's kinds are generated is on show in all its range in this moment quantity of the artist's writings. the 1st quantity, Foul Perfection, contained thematic essays and writings approximately different artists; this assortment concentrates on Kelley's personal paintings, starting from texts in "voices" that grew out of scripts for functionality items to expository serious and autobiographical writings.Minor Histories organizes Kelley's writings into 5 sections. "Statements" involves twenty items produced among 1984 and 2002 (most of which have been written to accompany exhibitions), together with "Ajax," which pulls on Homer, Colgate- Palmolive, and Longinus to give its eponymous hero; "Some Aesthetic excessive Points," an workout in autobiography that counters the normal artist bio integrated in catalogs and press releases; and a series of "creative writings" that use mass cultural tropes in live performance with excessive paintings mannerisms--approximating in prose the visible types that signify Kelley's art. "Video Statements and recommendations" are introductions to movies made through Kelley and different artists, together with Paul McCarthy and Bob Flanagan and Sheree Rose. "Image-Texts" deals writings that accompany or are a part of artistic endeavors and installations. This part comprises "A Stopgap Measure," Kelley's zestful millennial essay in social satire, and "Meet John Doe," a university of appropriated texts. "Architecture" gains an dialogue of Kelley's academic advanced (1995) and an interview within which he displays at the position of structure in his paintings. eventually, "Ufology" considers the aesthetics and sexuality of house as manifested through flying saucers sightings and abduction eventualities.
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Additional info for Mike Kelley: minor histories--statements, conversations, proposals
Anyway, this incident prompted me to go through the performance script and pull out all of the references to Ajax to see if I could construct a character. ”2 Longinus’s text concerns itself mainly with the rules of public speaking. However, he believes that there is a moral imperative attached to oration that transcends the mere ability to sway an audience. Longinus’s declaration illustrates his belief that an orator’s intentions are more important, more sublime, than any single manner of presentation.
Given no real access to his thoughts, we are allowed the pleasure of a purely subjective interpretation of Ajax’s character. Bigger and better go go go. The bigger cast—beat it. The lower caste—out. Drummers—cast out. Cast out this spirit. Shu mu mu mu mu mu ma. Giant drum of Ajax. A mighty sublime grandiosity. Here, Ajax could be construed as a drummer, a pariah—part of the lowest caste in Indian society. 5 Evoking sublime grandiosity, Ajax’s drum is large—so large that we lose our ability to comprehend, or even sense, its limits.
Sophocles’ portrayal of Ajax is not very ﬂattering, but we must still take into account that Ajax’s cruelty, his shameful act of slaughtering innocent animals while under the delusion that they were dangerous enemies, was the by-product of heavenly intervention—he was duped by the gods. Given no real access to his thoughts, we are allowed the pleasure of a purely subjective interpretation of Ajax’s character. Bigger and better go go go. The bigger cast—beat it. The lower caste—out. Drummers—cast out.