By Christopher Middleton & August Kleinzahler
"These thirty-three prose innovations of Christopher Middleton represent the fourth pillar of a unprecedented literary oeuvre, the opposite 3 being his poetry, translations, and literary essays. no matter what one chooses to name those frequently amazing miniatures, they're definitely Middleton's wildest, such a lot obtainable, and so much pleasing paintings, and so they count number as a few of his very best writing."-- August Kleinzahler, Foreword
These uncategorizable writings via a exotic poet and translator are vigorous, erudite, and inventive. Like his poetry, Middleton's prose items are alive with incongruity, university, and outstanding juxtapositions. This huge assortment is the suitable addition to each student's, scholar's, and avid reader's bookshelf.
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Additional info for Loose Cannons : Selected Prose
Wilhelm Tell). The whole sector is popular with nature lovers (its climate is controlled); but it offers much to linguists as well. It is perhaps the foremost site pittoresque classé, while the Western Sector contains the foremost ville pittoresque moyenâgeuse. To the east of Krk lies the Roman Forum, which in turn is the access to a seventeenth-century Bohemian castle. Thus we arrive in the Eastern Sector, with its splendid Pillars of Memnon, erected outside a group of cafés where salaried writers and intellectuals may be overheard as they discuss the works of their colleagues.
The problem remains: even with reference to the known facts of aquiline behaviour the question cannot be settled. What is said to have happened could have happened, and it could also not have happened. The story, if it is a fabulation, might conceal a horrible truth. Or the death itself might have been, in conformity with Aeschylus’ cast of mind, horribly fabulous. So it stands, like many of the messages reaching us from ages past: bold, clear, and inscrutable. The elementary components of the story—head, eagle, and tortoise—glitter but dazzle us like crystals held up to the sun.
In the middle of the night I get out of bed and walk around the room, seeing no animals. I go for a walk in the streets and I find no rabbit skins, no broken sewing machine. My girl friend is a future, possibly; my room is the present, which I keep trying to escape from. I must stay in here and put my dismantled body together. As it is, my body is in a cupboard in Texas, or somewhere, dismantled, like a weapon someone has wanted to store away. Perhaps I can think of my mother again now. Where did she come from?