Download Glass House: The 1% Economy and the Shattering of the by Brian Alexander PDF

April 5, 2017 | Economic Policy | By admin | 0 Comments

By Brian Alexander

For readers of Hillbilly Elegy and Strangers of their personal Land

**A New York publish Must-Read ebook, a Newsweek most sensible New ebook, certainly one of The Week's 20 Books to learn in 2017, considered one of Bustle's sixteen top Nonfiction Books Coming in February 2017**

"Remarkably nuanced...should be required reading." - Beth Macy, writer of Factory Man

"Glass House’s subtitle...hints on the book’s distinction from its best-selling predecessor. Alexander’s ebook is much less own, much less tortured, a piece of journalism way more prepared to indict forces greater than the obdurate, delusional satisfaction of the white operating category. This booklet hunts larger game." -Laura Miller, Slate

In 1947, Forbes journal declared Lancaster, Ohio the epitome of the all-American city. this present day it's broken, discouraged, and struggling with for its destiny. In Glass House, journalist Brian Alexander makes use of the tale of 1 city to teach how seeds sown 35 years in the past have sprouted to provide us Trumpism, inequality, and an eroding nationwide cohesion.

The Anchor Hocking Glass corporation, as soon as the world’s greatest maker of glass tableware, used to be the bottom on which Lancaster’s society used to be equipped. As Glass apartment unfolds, financial disaster looms. With entry to the corporate and its leaders, and Lancaster’s electorate, Alexander exhibits how monetary engineering took carry within the Nineteen Eighties, speeded up within the twenty first Century, and wrecked the corporate. We stick with CEO Sam Solomon, an African-American prime the approximately all-white town’s greatest inner most enterprise, as he attempts to rescue the corporate from the recent York deepest fairness enterprise that employed him. in the meantime, Alexander is going behind the curtain, entwined with the lives of citizens as they strive against with heroin, politics, high-interest creditors, low salary jobs, expertise, and the recent calls for of yankee existence: humans like Brian Gossett, the fourth iteration to paintings at Anchor Hocking; Joe Piccolo, first-time director of the yearly tune pageant who discovers town is determined by him, and it, for salvation; Jason Roach, who police believed could have been Lancaster’s greatest drug broker; and Eric Brown, an area soccer hero-turned-cop who involves observe that he can by no means arrest Lancaster’s genuine problems.

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Extra info for Glass House: The 1% Economy and the Shattering of the All-American Town

Sample text

The family declared bankruptcy—partly because of the Great Recession and the conditions around town, and partly because it cost them a lot to buy Suboxone, a heroin-replacement drug used in rehab, for Carly. She went off Suboxone when they could no longer afford it. Carly sold roughly half her buy to her own customers. She taxed the dope by adding a surcharge to what she paid her connect, charging about $10 a point—one-tenth of a gram. In Columbus, you could buy dope for five bucks a point. When Mark first started buying, he paid about $25 a point, but the law of supply and demand crashed the price: There was a shitload of dope around.

His mother had inherited a house on East Main Street, practically next door to a dive tavern called Leo’s Bier Haus, and though the house itself was destroyed by a fire and the lot sat vacant, Brian and his parents had a deal. He’d keep the lot mowed and at least a little tidy. In return, he could transform the upstairs room of the antique wooden garage in the back, by the alley, into a studio. The studio was tiny, a low-ceilinged room with a floor that sagged alarmingly to the west. An old drum set sat in the deepest corner.

He’d keep the lot mowed and at least a little tidy. In return, he could transform the upstairs room of the antique wooden garage in the back, by the alley, into a studio. The studio was tiny, a low-ceilinged room with a floor that sagged alarmingly to the west. An old drum set sat in the deepest corner. Brian sometimes practiced on it, but he mostly made art. He drew. He traced pictures to create stencils. He arranged repeated patterns of colored geometrical shapes on eight-by-ten pieces of paper.

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