Download From Jack Johnson to LeBron James: Sports, Media, and the PDF

April 5, 2017 | Media Studies | By admin | 0 Comments

The crusade for racial equality in activities has either mirrored and affected the crusade for racial equality within the usa. one of the most major and publicized tales during this crusade within the 20th century have occurred in activities, together with, in fact, Jackie Robinson in baseball; Jesse Owens, Tommie Smith, and John Carlos in song; Arthur Ashe in tennis; and Jack Johnson, Joe Louis, and Muhammad Ali in boxing. lengthy after the complete integration of faculty athletics, race keeps to play an immense position in activities. now not in the past, sportswriters and sportscasters missed racial concerns. They now give a contribution to the public’s evolving racial attitudes on concerns either off and on the sphere, starting from integration to self-determination to masculinity.

From Jack Johnson to LeBron James examines the intersection of activities, race, and the media within the 20th century and past. The essays are associated by means of a few questions, together with: How did the black and white media range in content material and context of their reporting of those tales? How did the media recognize race of their tales? Did the media realize those tales as traditionally major? contemplating how media insurance has developed through the years, the essays commence with the racially charged reporting of Jack Johnson’s reign as heavyweight champion and hold as much as the current, protecting the media narratives surrounding the Michael Vick dogfighting case in a supposedly post-racial period and the media’s dealing with of LeBron James’s assertion to depart Cleveland for Miami.

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Extra info for From Jack Johnson to LeBron James: Sports, Media, and the Color Line

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Interfaces inform all media—videos, television, literature—and as this happens we are witnessing the creation of new power differentials in visual capital. Internet scholars define themselves partially as people who are interested in the history and use of digital interfaces in the context of computers, but videos like “If You Had My Love” are hybrid in several ways: for one, they reference a tradition of racialized, gendered relations of looking and seeing that Internet scholars are not accustomed to thinking about outside the context of online communities of color and Web sites about gender.

Her Web site pops up on his screen, and she starts singing and dancing as he watches, alternately typing on the keyboard, which he holds on his lap as he leans back and strokes his own neck and face in an overtly cybersexual gesture. )32 The rest of the video consists of scenes of Jennifer Lopez viewed through her as-yet-fictional Web site as we witness people in a wide selection of networked computing environments watching her: we see a young girl in her bedroom with her computer, a pair of mechanics watching a wall-mounted television with an Internet connection, a rank of call center workers with headphones and computers, and two young Latina women using a laptop in their kitchen.

43 Earlier studies of race in cyberspace were confounded by a scarcity of concrete examples; the opposite problem obtains today. The popularity of the Internet among a broad spectrum of users arrayed along different axes of identity has certainly not proved to be the magic democracy-enhancing bullet that earlier Internet utopians thought it might be, but it has resulted in a variety of Introduction 35 media practices that instantiate race in the visual images that these new subjects of interactivity choose, construct, and consume.

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