By Elizabeth Partridge
This gorgeous quantity celebrates one of many 20th century's most vital photographers, Dorothea Lange. Led off through an authoritative biographical essay by way of Elizabeth Partridge (Lange's goddaughter), the ebook is going directly to show off Lange's paintings in over 100 wonderful plates. Dorothea Lange is the single career-spanning monograph of this significant photographer's oeuvre in print, and lines pictures starting from her iconic Depression-era photo "Migrant mom" to lesser-known photographs from her international travels later in lifestyles. provided because the better half e-book to a PBS American Masters episode that would air in 2014, this deluxe hardcover deals an intimate and exceptional view into the existence and paintings of 1 of our such a lot loved documentary photographers.
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Extra resources for Dorothea Lange: Grab a Hunk of Lightning
Following the pattern begun with Consie, Dorothea decided to board her boys, now seven and four, with a family in nearby Marin County. Telling friends it was to save money, Dorothea and Maynard moved into their respective studios a few doors away from each other on Montgomery Street. But the truth was more complicated: they had been growing apart. “I wasn’t really involved in the vitals of the man, not the vitals,” Dorothea said later. ”31 TO THE STREETS As much as she enjoyed working with her wealthy clients, Dorothea was keenly aware of the distress on the streets outside her studio.
Now I’m trying to get at something else. Instead of photographing men in relation to events, today I’m trying to probe the exchanges and communications between people, to discover what they mean to each other and to themselves. Usually too, I’m trying to do this in the most ordinary, familiar, usual kind of a way. 88 “Ballet” was her shorthand for capturing the graceful beauty in everyday movements—lifting a baby, pulling weeds, reaching out to shake a hand. Second Born Berkeley, California, 1955 “Walking wounded” included both inner and outer scars.
Dorothea approached “the hungry and desperate mother,”4 huddled under a torn canvas tent with her children. The family had been living on frozen vegetables they’d gleaned from the fields and birds the children killed. Working quickly, Dorothea made just a few exposures, climbed back in her car, and drove home. Dorothea knew the starving pea pickers couldn’t wait for someone in Washington, DC to act. They needed help immediately. She developed the negatives of the stranded family, and rushed several photographs to the San Francisco News.