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By Susan Compton

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In a recent article on Chagall and the theatre, Matthew Frost tells how in January 1919, a Theatre ol Revolutionary Satire was founded in Vitebsk, and years, these activities a The Russian Background on nine produc- in the following season Chagall collaborated donkey as well on a trapeze. ™ He designed sets for satirical sketches about Lloyd George, Poincare and White Generals. One of Sanatorium' was the only contributory factor for the subject- his sets, for a popular production entitled 'At the Crossroads', matter of this large canvas which Chagall painted to decorate tions put on for was based on a He caricatured (Bogatyri).

Chagall's design, not discussed by Frost (because not part of his subject), and was recently shown CEuvres sur papier', in at the June October 1984 40. Sorlier, op. 41. , p. Meyer, p. (cat. 90, Hudson, 1962) lacks Meyer, p. 3. Meyer, p. 132. them had been published before the war in Paris The artists some ol them refer to, apart from Chagall, are Sonia Delaunay, Roger de la Frcsnayc and Leger. See Monique Chefdor, Blaise Cendrars, Boston, Twayne, i. , Colmar and see the Isenheim altarpicce in 1933, on his way from Basle to attend the opening of his large retrospective at the Kunsthalle there, on November 4.

Last Amishai-Maisels, op. , p. B. Hess, 128. Hamell Newman, London. lallery. 1972, p. 39. 29 The Russian Background fig. 14 View of Vitebsk, postcard Chagall has lived and worked (collection of the Belo-Russian Library, in France for such a large part London) of Art, where, except for his trips to Vitebsk and the months that he spent at home looked. Like his countrymen Archipenko and Soutine, Al't- summer j-jis man and even Lunacharsky, he was one Dobuzhinsky, both of whom provided him with far more background than he has been wont to admit.

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