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April 5, 2017 | Individual Artists | By admin | 0 Comments

By Roberta Bernabei

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It is costing difficult to it; it is me more and more work.. nothing Did Vincent . less really I must work.. effort. I find it . My life depends on than a struggle for want my existence" This landscape drawing of the to enter the Theological Faculty, which he considered to be "an incredible institution, a blend of culture and pharisaism"? In these months that were to determine his fate, he regularly went back to the Trippenhuis to look at Rembrandt's Syndics of the Drapers' Guild. In his letters to Theo he urges his countryside near Amsterdam, which, according to Vincent, was "a doodle," accompanied a long letter to Theo dated 3 April 1878.

On his way back to Etten, Vincent passed through Dordrecht solely in order to draw a row of windmills, and upon his return, he began drawing figures again. For Vincent, drawing implied learning to concentrate: "Diggers, sowers, planters, male and female, they are what I must draw continually. " He drew continually; October he was letter to still at by mid- it. , men and women. At present am I working a good deal with charcoal and black crayon, and I have also and watercolor. " Vincent knew that he was making progress, but this prompted some apprehension.

And without him she Vincent was fascinated by Sien's children, a was undoubtedly destined for doom. Having no resource five-year-old daughter other than the money Theo regularly sent him, Vincent called Maria Wilhelmina was afraid that his brother would not agree to the and little Willem, born 2 July 1882. " girl kneeling in A few days after informing Theo of his urgent wish to little front of the baby's cradle marry Sien, Vincent wrote him that he was feverish, (left). The presence of the nervous, and could not sleep.

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