By Christi Friesen
This fourth ebook within the CF Sculpture sequence is simply jam-packed with pussycat enjoyable. the large cats - lions and tigers and pumas, oh my! will roar to existence as polymer clay focal beads, mask and sculptures. yet to not be outdone, a parade of kitties will express who fairly ideas. in the course of the ebook, elaborations of beads, fibers, and floor remedies will make this a e-book you need to cuddle up with.
Read or Download Cats Big & Small (Beyond Projects: The CF Sculpture Series, Book 4) PDF
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Additional resources for Cats Big & Small (Beyond Projects: The CF Sculpture Series, Book 4)
Photos . 42 . 5 . 10 . 15 . . 5 . . 6 Peg Hole Spacing , E to G and A to D . Peg Hole Spacing , E to D . . . . . Pegbox to Inside Edge of Thumbpiece Peg End Finish Radius . . . . . . Length Length Height Width, at Pegbox Opening . . at Fingerboard . . . over Fingerboard .... Underside . . . . . . . . . . . . . . . . . . . . . . . . . . 5 . 5 . 6 Saddle Height . . . . . . . . . . . 7. 5 Saddle Width . . . . . . . . . . . 36 Fingerboard Fingerboard Fingerboard Fingerboard Fingerboard Fingerboard Fingerboard Fingerboard Fingerboard Length (150 mm above the stop, 120 below) 270 Width (Before Tuning) .
Using fairly flat gouges, round bottomed thwnb planes, and scrapers, work down almost to the bottom of the guide holes. Smoothly and gradually blend the different thicknesses, frequently checking with the graduating caliper, and shadow testing with the bench light as you did for the outside arching. Check also by sliding the back between thwnb and forefinger. This "natural caliper" is very sensitive to irregularities in thickness. ] Please note: The graduation ofthe back (and much more so of the front), has a major effect on the "tone " ofthe violin.
Thickness at Strings Thickness at Feet . Foot Height . . . Post Diameter . . . . .. . . . . . . . . . . . . . ......... . . . . . . . . . 3 4. 0 . 6 43 THE FRONT (Continued from page 38) The soundhole template is best made of thin, transparent plastic taped to the full size drawing and precisely cut out with a knife. Align it to the centerline of the drawing and accurately scribe the line of the stop on the pattern. ) Please note that the sound hole on the full size drawing is traced from the arched surface, and so is wider than would appear looking straight down on the violin plan.