By Ruth Soffer
Арктическая и антарктическая жизнь , книжка-раскраска. Познакомьтесь с различными полярными жителями, forty four иллюстрации крачек и горбатых китов, тюленей арфа, морского паука , царя и императорских пингвинов и других существ - все показано в их родной среде обитания. . Get conversant in a number of polar population as you colour realistic drawings of terns and humpback whales, child harp seals, a sea spider, king and emperor penguins, and different creatures — all proven of their local habitats. Fact-filled captions accompany forty four very good illustrations during this wonderful and academic coloring e-book.
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Extra resources for Arctic and Antarctic Life Coloring Book
Smith had no preconceived plan for it; the sculpture came to him spontaneously as he worked on it. Considered to be one of the most important twentieth-century sculptors, Smith was the first in America to weld in iron. He produced many works and brought a fresh, typically American vision and industrial skill to the formal, more European concepts of sculpture. He expressed his love for technology by saying: “The equipment I use, my supply of material comes from factory study, and duplicates as nearly as possible the production equipment used in making a locomotive.
The ornamental design framing the scene divides the vase and decorates the areas not covered by the scene. The lotus flower and palmette in the borders were favorite decorations of the period. ALFREDSTIEGLITZ. City of Ambition. 1911 . Photograph. The Metropolitan Museum of Art, New York. Alfred Stieglitz Collection, 1933. Alfred Stieglitz (1 864-1 946) was a photographer as well as a gallery director and editor. As a photographer he was recognized for the freshness and originality of his vision.
Oil on canvas, 27% x 41 YE”. The Metropolitan Museum of Art, New York. Bequest of Samuel A. Lewisohn, 1951. Georges Seurat (1 859-1 891), a French painter, had an extremely intellectual approach to his art and made scientific studies of the effects of color and light on the eye. The way he painted was methodical and painstaking. He applied color to a canvas in small, round dots of equal size. He chose color combinations scientifically based upon the effects they had on each other and the impression they made on the eye.