By Charlotte Gerlings
Книга-альбом на английском языке, посвященная великим художникам всех времен и народов. Издание представляет сливки европейского изобразительного искусства, начиная от Фра Анджелико и заканчивая Энди Уорхолом, представляя искусство с thirteen века по настоящий день. По каждому художнику дается краткая биографическая справка и приводятся 2 художественных произведения.100 nice Artists provides the cream of eu portray, from Fra Angelico to Whistler, from the artwork of the 13th century to the fashionable day. fantastically designed, the choice is meant to take readers on a wide-ranging trip to bare how the culture of the eu portray was once re-interpreted in several destinations, from the recent international to the some distance East.For the main half, major exponents informed, encouraged or motivated each other, and throughtout this e-book the reader will locate stimulating and worthwhile connections to augment their appreciation of those creative relationships. prepared alphabetically , a hundred nice Artists represents a visible and thought-provoking deal with for an individual attracted to western painting.Each access includes a perceptive statement, a time-line to #96;place#96; the artwork inside its historic conext, and full-colour photos.
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Extra resources for 100 Great Artists. A Visual Journey from Fra Angelico to Andy Warhol
His best-known paintings are large and vibrant and decidedly iconic. They command attention in an immediate and physical way that this small stack of crumbling, haphazardly typed sheets could not hope to duplicate. His work communicates on a level that is explicitly preverbal. Indeed, it would be hard to find less-narrative painting. Like music, my father’s artwork seeks to express the inexpressible—we are far removed from the realm of words. From their lack of identifiable figures or space to their lack of titles, my father’s paintings make clear that reference to things outside the painting itself is superfluous.
The picture does not necessarily involve censure or unkindness. These deficiencies are attributed to the intensity of the artist’s preoccupation with his particular kind of fantasy and to the unworldly nature of the fantastic itself. The bantering tolerance granted to the absentminded professor is extended to the artist. Biographers contrast the artlessness of his judgments with the high attainment of his art, and while his naïveté or rascality are gossiped about, they are viewed as signs of Simplicity and Inspiration, which are the Handmaidens of Art.
Too bad for them, but fortunate for us in the increased vividness of their art. But more importantly it attests to the persistent belief in the irrational quality of inspiration, finding between the innocence of childhood and the derangements of madness that true insight which is not accorded to normal man.